Celebrating the Desert – Edwin Vasquez

If the Mojave Desert is an oasis of natural and stubborn quietude set next to the traffic and the hubbub of Los Angeles, it is an oasis that also contains oases – a sort of Russian doll of harbors set within harbors.

Artist Edwin Vasquez sees this desert ethos and puts it into action too, as he is known to pick up hikers in Tehachapi and help them reach their next stop on the Pacific Crest Trail. Vasquez becomes, in a way, an oasis of humanity for the intrepid hiker who has been alone in the hills among the calls of ravens and the buzzing bees.

Stepping down into the desert, they might see some of what Vasquez sees and celebrates in the Antelope Valley environs.

Celebrating the Desert is a series of posts here at AV Arts dedicated to showcasing Mojave Desert-inspired work by local artists. Today’s post features the work of ever-active Antelope Valley artist Edwin Vasquez, who has been featured on the pages of AV Arts before.

 

From Edwin Vasquez:
The first photograph is from Apollo Park, near the General William J. Fox Airfield. It is an amazing community park. This is one of the three man-made lakes for fishing and boating. It is like an oasis in the middle of our desert.
Apollo Park
The second photograph is in the Piute Ponds, a group of ponds about 10 kilometers southeast of Rosamond. This large marsh is an important stop for migratory birds on the Pacific Flyway.
Piute Ponds
Thank you to the artists who to the artists who have participated in our humble initiative to celebrate our landscape with art.

The call for submissions in our Celebrating the Desert series will remain open until January 1, 2018.

Send in some of your desert-inspired art and a brief bio to AV Arts (poeticwax@rocketmail.com). Also include a link to your website if you have one.

Advertisement

AV Arts Convo: Art & Poetry by Edwin Vasquez

HAPPENING NOW: Antelope Valleys Arts new initiative, the AV ArtConvo, poetry and Multi-Media art by Edwin Vasquez.

Presenting Art & Poetry by Edwin Vasquez

SATURATION 2.0: The Arts in Conversation project at Antelope Valley Arts is now live: Local artists (painters, poets, photographers, fiction writers) have been invited to submit art and partake in a conversation on artistic influence and inspiration as the print arm of Antelope Valley Arts is going digital.

This week’s featured artist is a substantial figure in the regional art scene in many ways: showing, helping others show, publishing, speaking and opening artistic doors – Edwin Vasquez.


Edwin Vasquez |Interview Part 1

Is there a certain emotional valence or emotional register that characterizes your work?

As an artist and writer, the term “Humanities” links my work together, especially since I was born in Guatemala, where a forty year internal political war gave the artists a voice for the voiceless. I don’t know if my work is still “political”, but it has definitely evolved because my focus is on creating art using recycled materials. I think art should include social issues because, even here, many don’t have a voice regarding political issues.


WIRE1

WE ARE AMERICANS

 

We shall not be denied the freedom,

the liberty and happiness

on which our country was built.

 

We are the farmer’s hands

rough like old leather

with blisters  and aches from working on the fields

where your food comes from.

 

We are the trash collectors

keeping the streets clean

where your limousine is parked.

 

We are the nurses and doctors

saving your brat kids from drug overdose,

from drinking like pigs with your filthy money

because at home there is no love other than for stocks and bonds.

 

We are the teachers

buying school materials out of our own pockets,

and preparing the next generation

so they can attend Ivy League schools

not because they bought their way in, but because they earned the right to be there.

Yes, we deserve liberty, freedom and happiness

even-though priorities deviate us from our dreams

and only takes hateful words from powerful blindness

and arrogant men to wake us up,

your words were like a cold shower that got to our souls.

 

Yes sir, we are Americans too,

we came here for a better future,

we didn’t grow up with a silver spoon,

we made that spoon with our sweat and hard work,

we are the Hernandez, the Robledo, the Vásquez

we are part of the puzzle that makes America great.

 

Thank you for your poisonous words,

they are spreading in our communities like California wild fires

and soon you will see a tsunami wave so strong

that your wealth and your ambition will be tarnished

and like the rest of us, you, Sir

can look at the White House from the street.

 


Interview Part 2

What artist do you currently find yourself talking about most often and why?

The artist I am currently following is Efrain Recinos, a Guatemalan contemporary architect, painter, and sculptor. Sadly he passed in 2011, but his art legacy is of tremendous value for Guatemala and for the world. He was born in the second city of importance, Quetzaltenango, which is the city I was born in as well.

How does music influence, shape or fit into your work?

Music is an essential tool in my art life; Jazz and Latin-American are my favorites. Since the internet gives us the opportunity to listen to the beats and sounds of many countries, I find myself listening to music from all over the world while exploring mixed media in my studio.


ENDLESS PLAY

Hollywood, the endless play with real life actors,

those with rags and riches walking among the stars

and dancing the waltz of all nations,

where all dream how awesome meeting a movie star could be.

 

The seasoned actors make their moves unceremoniously

across the hot concrete stage, hustling the unsuspected tourists

drinking coffee or Red Bulls, while attempting to take selfies with faking smiles

and overflowing the sidewalks like hot lava rivers from Brea to Vine,

unaware of the homeless trying to sleep because it was yet another bad day.

 

Hollywood, glamour and seventy-five degree weather,

where the scent of urine is overpowered by cigarette smoke,

Chanel, Yves Saint Laurent, or illegal weed,

where walking the long boulevard becomes another meaning,

where it feels real and, then, it hits you —

here, poets pick the stanzas just by opening the senses and

realizing, sadly, that the golden promise is nothing but fool’s gold.

 

Hollywood, the endless play

with characters and fake superheroes,

Gucci glasses and skateboarders,

where Starbucks and tarnished stars

compete with IPhones and Barbie dolls…

this endless play, where actors come for a piece of the pie

and end up living a new tomorrow

for the second act and their broken dreams.

IMG_6021

 

Hell On Wheels – poem by Edwin Vasquez

 

Sitting in front of the Lofts Gallery, after the opening of the art show,

I heard the sounds of skateboards.

They reminded me of an old train, leaving the station slowly,

making the unmistakable sound of tracks

before getting into full speed ahead.

Observing from a close distance,

the alley was taken over by both kids and older riders

They resembled billboards on wheels:

Monster hats, Vans shoes and Pharmacy Board Shop T-shirts.

I walked a little closer to the action.

Some are smiling, others cruising,

the youngsters studying the movements of the seasoned riders;

they all have stress-free faces,

as if this is the most important time of their lives.

The beats from a DJ table bounce off the walls,

the cold concrete of the alley a stage to perform on.

They were aware that people watched them as if they were a different culture,

and they don’t care; they have their own language and style

and the skateboarders enjoy the freedom and friendship of their lifestyle.

As more curious people gathered to observe,

the experienced riders surfed the pavement in a crouching position,

gaining speed to perform a trick;

others rode their Maple wood boards, creating the angular momentum

as natural as breathing, while the observers’ faces lit up with joy.

The boards in the gallery were awesome to observe: they were motionless, lifeless,

the real action happening outside, at least this time,

where the riders show their art and knowledge of the principles that rule their game.

I wonder if they know they are actually using the science of motion

while riding their fancy four-wheel boards.

Through every bruise and battle scar,

after each nasty fall,

the skateboarders are the center of gravity

that keep this lifestyle alive.

(Dedicated to my friends Larissa Nickel and Amanda Johnson for their amazing job putting together Hell on Wheels.)

Edwin R. Vásquez

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Read more AV Arts BLOG Press about the Hell On Wheels show at the Artists Lofts Gallery in downtown Lancaster. Article 1 & Article 2.

Join the conversation and write in with comments and discussion.

Antelope Valley Artists on Video

Antelope Valley artist Edwin Vasquez has embarked on a project to publicize and video the work of other artists of Lancaster, Palmdale, Lake Hughes, Lake Elizabeth, and the greater Mojave area.

The AV Arts Blog shares the publicizing part of Edwin Vasquez’ ambition! With more cameras on hand we’d probably share the whole thing.

Short of that, we’d like to show you Vasquez’ videos and in doing so introduce you (or re-introduce you) to the art of some exciting and engaging artists working and living in the Antelope Valley.

Below are several videos Vasquez has made in 2011 featuring the works of Larissa Nickel, Michael Jones, June Marie Milham, AJ Currado, Donna Weil, Forever Seven, and himself, Edwin Vasquez. (The list of names here isn’t matched to the order of the videos below.)

Enjoy.

Antelope Valley Artists Showing “Down Below”

Antelope Valley artists to participate in: THE 1ST EMERGE ART EXHIBITION-COMPETITION JULY 29-30,2011

 
THE KINGS WAREHOUSE (8000 SQF WAREHOUSE 40′ FOOT WALLS)

18242 SHERMAN WAY
Reseda, CA
 
THE 1ST EMERGE ART EXHIBITION-COMPETITION
“THE ART SHOW THAT PROMOTES, SUPPORTS AND STRENGTHENS THE ARTIST!”…JUROR:
AEROSOL AND MIXED MEDIA ARTIST “DUKE”

AWARDS:

1ST PLACE:MAD SKILLS AWARD
US CURRENCY WORTH $200.00 + HONORABLE MENTION ON LOCALLAARTIST.COM SITE

2ND PLACE:INNOVATORS APPROACH AWARD
THE ART PATRON HAS DONATED A GIFT CARD
WORTH $150.00 TOWARDS ART STORE OF CHOICE

3RD PLACE:CREATIVE JUNKY AWARD
ONE PICK FROM ART BOX

4TH PLACE:THIRD EYE AWARD
HSGRAFIX.COM HAS DONATED A SET OF BUSINESS CARDS & POST CARDS WORTH $200.00

5TH PLACE:BRILLIANCE AWARD
NORTH HOLLYWOOD FRAMERS INC. HAS DONATED A GIFT CERTIFICATE WORTH $50.00 TOWARDS FRAME WORK AT THEIR SHOP.

ACCEPTING:
PAINTINGS, DRAWINGS, PHOTOGRAPHY AND SCULPTURE.

DEADLINES:
SUBMISSION DEADLINE: JULY 20,2011
SUBMIT TO: INFO@FILETOFINEART.COM
CONTACT:818.298.8267 FILETO
DROP OFF: JULY 28,2011 9AM-9PM
EXHIBITION: JULY 29-30,2011 8PM-2AM
PICK UP:JULY 3O OR JULY 31 FROM 9AM-12PM
ENTRY FEE: $10.00 PER ART PIECE
COMMISION ON SALE:100% PROFIT FOR THE ARTIST
NO SUBJECT MATTER
NO LIMIT TO QUANTITY
NO RESTRICTIONS
NO BS !!!

PARTICIPATING BANDS:
FRIDAY NIGHT
9 PM- STARS AT NIGHT
10PM- BISON REVOLT

SATURDAY NIGHT
9PM- MOLDY VULTURE
10PM- AUDIGRAFFITI

PARTICIPATING DJ’S:
FRIDAY & SATURDAY NIGHT
8PM DJ EFFECT

FRIDAY & SATURDAY NIGHT
11PM CROWN

ADMISSION $5.00
18 AND OVER EVENT

DISCRIPTION OF SHOW:
0VER 50 ARTISTS X 4 BANDS X 2DJ’S X 5 AWARDS X BODY PAINTING X DRINKS X FOOD !!!

Gallery Shows in the Lakes area…

Lakes & Valleys Gallery on Lake Hughes Road has recently opened a new show featuring the works of Edwin Vasquez & Ulrica Bell-Perkins.

The show will run from June 5 to June 27.

Lakes & Valleys Gallery is open on Saturdays and Sundays from 11 to 5.

Also, the new Leona Valley Gallery on Elizabeth Lake Road is currently featuring paintings by Donna Weil in a show entitled, “Step Out of the Ordinary”.

“Step Out of the Ordinary” is scheduled to run from May 29th to June 30, 2010.

Review: 25th Annual Juried Show at LM/AG

The Lancaster Museum and Art Gallery is currently running its 25th Annual Juried Arts Show, featuring roughly 80 artists in media ranging from photography and digital media to oil painting and colored pencil.

The works demonstrate a wide range of talents and artistic visions and, for the most part, the current LM/AG show is one of impressive quality. Subject matter varies widely but the show’s content is anchored by works relating to the landscape of the Antelope Valley.

A number of paintings and photographs featured the Antelope Valley’s symbolic moniker, the Joshua tree. The most notable of these works were the two large paintings of Kris Holladay. 

Holladay took one of the top three prizes at this years show for a piece depicting a night scene with a Joshua tree expressively rendered in staccato curves against a moon-lit sky. Holladay’s works are nicely complimented in the show by the other large paintings submitted by Edwin Vasquez and Nick Shake.

Nick Shake was awarded the first prize in the 25th Annual Juried Arts show for an oil painting titled “Prepared”. That painting shows a young man nearly waist-deep in dark water, surrounded by shadows hued with deep, dark burgundies and umbers. He is weighed down and bent under the burden of a large pack of goods with a meager lantern hanging at his side.

Behind the vividly colored young man is a very dark, again shadowy figure holding a slim rod. One might interpret this second figure, walking into the background, to be the unburdened soul of the young man, ready to do something as simple, as pure, as unburdened as going fishing. The young man, in stark contrast to this simplicity, wears chagrin instead of a smile and feels overloaded, bloated, and overwhelmed but the tasks of the world for which he is “prepared”.

The implied narrative of “Prepared” remains understated and allows for the viewer to complete the story and to fill in the blanks, a method of implication that makes for an engaging viewing experience.

Shake also has a large water color work in the Juried Show called “Size 13”. It is a departure for Shake from some of the work he has recently shown at the LM/AG (see 4<40) in that this work appears as collage of color and subject with a mainly pastel palette. “Size 13” uses painted squares to create a disrupted set of borders within the larger frame of the painting cunningly resembling collage assembly.

The image used in the painting is of a man sitting in front of a closet full of shoe boxes. Shake’s sub-frames work with the shoe boxes to create a sense that these boxed in spaces may stand for at failed attempt at isolation. The consumer that believes himself to be THE AGENT able to make “isolated decisions” is seen here in a state of over-lap.

One painted square invades the next and we see the figure in the painting as anything but a man of agency, making decisions which ultimately cannot remain isolated from one another nor from the man himself sitting in the foreground, a unified clash of the square-painted ideas of himself as a consumer and as a person.

Continuing on the subject of large works: A large work by Edwin Vasquez presented in the LM/AG show is an iconic mixed media piece: the simplified face of a man made out of old lottery tickets and candy bar wrappers in collage pasted over a bright, cool teal.

The work is loud and, purposefully, very American. It shows an outsized and irrational view of the self made up of dashed hopes and commercial goods. It is the picture of a malnourished soul. But it is not unhappy.

The photography in this year’s Juried Show is also striking and impressive. In the photography, more than in the paintings and drawings, we see a density of interest in the high desert. However, where the desert paintings tend toward landscape and contemporary issues of today’s culture and its issues, the photographs tend to focus on an era that is quickly becoming history.

Old cars, broken down houses and barns, the dead stillness of winter – these are the subjects of a culture and a mindset looking at what once was, what no longer grows, like looking at an old lottery ticket that actually once was a winner, but now, well, the money is all spent.

With 80 artists and over one hundred works on display it is impossible to comment and assess the show in detail. Some of the most interesting works were the mixed media works that utilized a combination of hand-drawing and hand-painting along side digital media.

My personal favorite works in the show were two landscape paintings of Beech trees near water. The artist, Richard Gallego, put his personal stamp on the show and on the landscapes with an incredible use of light. Both paintings delicately construct an expressive, almost impressionistic vision of autumn scenes that subtly yet vibrantly set the deep blue of the mountain stream against the orange of the Beech leaves and the bright tawny trunks of the trees.

Once again, the Lancaster Museum and Art Gallery has shown its dedication to bring quality art to the local public. Where in the past, the shows have been largely of local interest for several reasons, this year’s show takes a step beyond local interest.

The artists are local. That is true.

A healthy dose of local subject matter relating to the Antelope Valley is also a part of this show.

What makes this show different then? What takes it that extra step into general interest?

Firstly it must be noted that the LM/AG’s layout has become that of an art museum under director Nicholas West. West has re-envisioned the space so that what we have now is a legitimate museum. The results of the changed layout are tangible.

Secondly and finally, the quality of the art presented in the 25th Annual Juried Arts Show makes for a solid marriage of quality, professionalism, artistic merit, though-provoking statement. Too many facets for one marriage? You’d be surprised by how successfully these come together in the current Juried Show at the LM/AG.